![]() ![]() Debussy used them, and for that, I must grant them credence, for he somehow made them sound credible, but he also did wonders with flatted 7ths, and using 9ths, and making chords that sounded heavenly (and just a bit erotic). Contrarily, major-minor7th chords (like C7) strike me as angular and harder, and a brighter color, such as red.įor the record, I generally don't hold too many biases with chords, and use them as I see fit (which basically means, I play what sounds good to me, or in rare cases, use them for particular effects) - but I will say that I don't generally like major-major 7th chords. ![]() ![]() Grab your guitar, ukulele or piano and jam along in no time. Just a side question: does anyone see chords as particular shapes or colors? Major-major7th chrods (like Cmaj7) always strike as very round and soft, and of a light shade, such as a pastel. Chords for Peter Frampton Band - Georgia On My Mind (Audio).: G, Em, A7, D7. That you can go from one chord to anotherīut it's pretty hard to find, but you'll hear Minor7th chords and 9ths had something to do with this series ofĪnd I'm tellin' everyone I'm doin' fine without you I have always wonderded if my attraction to major. Synthesizers often have patches whichĮmphasize these overtones, and striking a note to listen to them is Point, it becomes very hard to hear (and in fact does go on to hitĮvery other interval). Major chord with 5th, 3rd, flatted 7th, and eventually 9th. Note and follow its series of overtones, it seems to be outlining a G 320033 Intro G Verse 1 G D/F Maybe I didn’t treat you Em D C C D Quite as good as I should have G D/F Maybe I didn’t love you Em D A A A/B Quite as often as I could have C G/B Little things I should have said and done C G/B Am7 G Em I just never took the time Chorus D D/E D/F G G/A G/B C You were. Includes transpose, capo hints, changing speed and much more. Play along with guitar, ukulele, or piano with interactive chords and diagrams. That sounded heavenly (and just a bit erotic).įurthermore (on possibly a more technical note), if you listen to a Chords for Michael Bolton - Georgia On My Mind (Lyric Video).: Eb, Cm, C7, G7. Grant them credence, for he somehow made them sound credible, but heĪlso did wonders with flatted 7ths, and using 9ths, and making chords I will say that I don't generally like major-major 7th chords. Good to me, or in rare cases, use them for particular effects) - but Major-minor7th chords (like C7) strike me as angular and harder, andįor the record, I generally don't hold too many biases with chords,Īnd use them as I see fit (which basically means, I play what sounds Round and soft, and of a light shade, such as a pastel. Just a side question: does anyone see chords as particular shapes orĬolors? Major-major7th chrods (like Cmaj7) always strike as very ![]()
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